Broadway theatre has always been pertinent part of my life, having been exposed to musical theatre at an early age. Andrew Lloyd Webber, Frank Wildhorn, and Claude-Michel Schönberg all filled my household with their musical sensations with the frequency and volume of an unwanted in-law. I loved the passion of the songs, the dynamics of the characters and stories, but almost above all else, the glamorous nature of show-business! So when NBC announced the release of it’s show ‘Smash,’ a series that follows the creation of a musical based on the life of Marilyn Monroe, my heart leaped. I hadn’t been this overcome with excitement and musical nerdy-ness since “Chicago” won the Academy Award for best picture!
After watching the pilot episode, I immediately went to my friends raving about the quality of the show, how fun and exciting it was, only to be met by a large number of people who thought it was garbage. I was heartbroken. My dream had been shattered like a porcelain figurine. But what made it worse was not the disagreement with my opinion, but the realization that many of the same people who swore that Smash was unoriginal, boring, and bland had a secret (and by secret I mean I have to fill you in with exposition because they didn’t mention it in the scenario I described above). They regularly kept up with Jersey Shore, with Teen Mom, with, dare I say it, Hoarders.
I didn’t let it bother me, but it did linger in the back of my mind like a parasite feeding off of my growing paranoia about the future of entertainment. But what did this experience say about the people I knew? About my peers as a whole? As the week progressed I pried my colleagues minds. How many people viewed reality television as quality entertainment, while condemning shows like ‘Smash’ as boring? It seemed to me that the wheel of hypocrisy was slowly beginning to grind. How can one justly criticize the artistic quality of a television show, or any form of cinema for that matter, when they deem several drunk New Jersey residents parading about the club scene in a manner not fit for a burlesque show as legitimate, quality entertainment.
My mind was uneasy. Had our culture really come to this? Had we given up on fictional stories and settled for MTV and VH1’s warped rendition of reality? Everywhere I looked I could not help but see my friend’s obsessing over Real World. I used to be appalled when my peers would describe how brilliant shows such as Gossip Girl and 90210 were, but in retrospect, I would give anything to return to that. We have lost our sense of taste for the banquet of television. It seems that my generation is settling; settling for anything that is placed in front of them like a pack of starving canine waiting for a scrap of meat.
How can one offer a valid review of a scripted production when dysfunctional couples dueling it out on a ROPES course is there idea of satisfactory programming? They cannot. It seems harsh, but it is the truth. I understand that one may claim that reality TV is their “guilty pleasure,” but that argument is invalid. A drug addict cannot offer an acceptable opinion on personal health, even if heroin is just their “guilty pleasure.”
American culture has been robbed of dignity, and it horrifies me to see that very few have noticed. We want immediate satisfaction, we want sex, we want violence, we want to see others with miserable lives to make ourselves feel better. This approach to humanity is unsustainable and will lead down a narrow road the intellectual decay. Will people stop watching reality TV? Unlikely. But the most we can hope for is that the fan base of Teen Mom 2 will broaden their taste to include something will actual flavor. Or stop bashing my favorite TV shows. Either way.



